- Fantasia on Lyun Joon Kim’s Elegy (version for alto sax and piano) | Richard Dudas
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This is a manuscript style score to this piece which was originally composed in with several revisions with the last in The saxophone and trumpet solos are not identical but have differences to suit the character of each instrument. Prelude, II. Idyll, and III. The accompanying instruments are flute, four B-flat clarinets, alto clarinet bass clarinet alternate , bass clarinet, tuba, and one percussion.
Parts are a rental. Seesaw Music, , SS, includes instrumental parts and vocal-piano score. The vocal range is from the D just above middle C to B-flat above the staff. The instrumental parts are very important, with the flute part especially challenging. The saxophone part reaches altissimo G-sharp. College level with a duration of about 14 minutes. Workout, a single-movement work, is both a musical and technical "workout" and it was written for Alan's son, a professional saxophonist.
College level with a duration of about Gustav Bumcke was a German composer, conductor, and music educator who became very interested in the saxophone after meeting the son of Adolphe Sax in After a serious study of the instrument he established the first saxophone studio in Germany. This is at an Andante tempo with some tempo changes. It is not too difficult although it is in the key of E. A look at the score indicates that harp is clearly preferred to piano.
Duration of about 6 minutes. Here is a performance with alto saxophone and here with baritone saxophone. Click on the cover image to view a sample page from the score. S Sonate b-moll Sonata in B-flat minor Op. This work was written in by which time Bumcke was no longer permitted to teach saxophone and is in a late-Romantic style and in the traditional sonata form.
Sostento, III. Allegro molto. This piece is marked Andante and has many small tempo changes. It is mostly in the upper register of the saxophone with a range to altissimo F-sharp. This piece was originally for oboe and piano. It is sectional with two cadenzas. It utilizes most of the normal range of the saxophone. Here is one of several performances on YouTube. Parts are included for both C oboe or flute and B-flat instruments clarinet, soprano saxophone or possibly tenor saxophone. Charles Callahan has written harmonically interesting music yet the solo parts are relatively easy except for the key signatures which range up to six flats and five sharps.
Click here to listen to an audio sample. Click on the cover image to view the score. This work was commissioned by the American amateur saxophonist Elise Hall who gave the first performance in After only one other performance was not played again until rediscovered by Jean-Marie Londeix in the late s.
It is in one continuous movement with many tempo changes. High school or early college level with a duration of Here is a performance. This is a slow, lyrical piece involving modal melodic material and some easy mixed meter. A highly expressive short work, appropriate for use in church music. Includes a saxophone cadenza before the DC. Intermediate level and up with a duration of about 4 minutes. This is subtitled "A tribute to the classic jazz saxophonist Paul Desmond There is a cadenza in the middle of this movement.
Prologue Declamatory, freely , II. Song, and IV. The first movement is without bar lines with the piano playing background chords. The second movement has a cadenza with range to altissimo A optional , The final movements are straight forward. Early college level with a duration of 12 minutes. From the composer's website: "This piece has become one of the most popular contemporary sonatas for soprano saxophone.
Cast in four movements, the work exhibits a fresh approach to writing in the Dorian mode. Moderate difficulty, appropriate for advanced students. The Sonata for Tenor Saxophone is the fourth of the composer's melodically and harmonically conservative sonatas for members of the saxophone family. Like the others, its materials are predominantly modal with mild harmonic dissonance in the piano texture. The middle movement is titled "Sentimental Song" and is dedicated to composer Walter S. Altissimo spots are optional, and the piece is appropriate for advanced high school or college level students.
Moderate difficulty; approx. From the composer's web site. John Carmichael is an Australian born composer who studied in Paris and London. This piece stems from his seven years as director of a Spanish dance company. The piano part is vigorous, supportive and idiomatic. This is a professional level piece written for and first performed by Gerard McChrystal by British composer Carpenter In three movements I. Caprice this starts slowly but doesn't take long to get moving , II. Danse Macabre marked "Tempo di Tango" and described as the dark side of a Chorino previously written by the composer.
Paul Carr is a British composer who has written extensively for wind instruments. Perfect for contest or recital. Marked "Relaxed, and with a blues feeling" this piece will be enjoyed by better high school saxophonists and up. College level with a duration of 12 minutes.
While she wrote mostly salon songs and character pieces for piano, she is probably best known today for her flute concertino. This piece was originally for piano Op. Parts are included for Flute, Oboe, Violin, Viola and instruments in B-flat clarinet, soprano saxophone or possibly tenor saxophone. Here is a YouTube video of this arrangement being performed with flute and organ.
Chapentier studied Indian music in Indian before attending the Paris Conservatoire where he studied composition with Aubin and Messiaen. This piece is based on the Indian Carnatic mode number Stephen Chatman is an American born Canadian composer. The six preludes are entitled: I. Moonlight, II. Labyrinth, III. Crimson, IV. Joy, V. Silence, and VI. The even numbered preludes are slow while the odd numbered movements are quite fast and challenging. The overall duration is about Click on the cover image to view sample pages from the score.
This work was originally for clarinet, but with a few octave adjustments it will work nicely for saxophone. Hu Xuan Dance Lively. An advanced work for both performers. Duration about 8 minutes. A commission by Jessica Heller Knopf resulted in the new Chen Yi concert work for alto saxophone in two diametrically opposed movements. Knopf gave the premiere at the World Saxophone Congress and the performance is available on YouTube. Altissimo to B. For advanced performers with a duration of about Click on the cover image to view the first pages of the score.
Paul Chihara is an American composer who has written for a wide range of genres including film and television. In two movements: I. Allegro Amabile, II. Senza Tempo con fantasia with many tempo changes within each movement. The saxophone part has been edited by Harvey Pittel. College level with a duration of about 12 minutes.
Gene J. Cho is a professor of music theory and ethnomusicology who was educated in Taiwan and the United States. College level US grade 6. S Largo Op. This brief piece is from a cello sonata. It is at the intermediate level with some written out turns and a range to altissimo E. Marius Constant was a Romanian born French composer and conductor known primarily for his television soundtracks. This is an advanced piece using many extended techniques including fractional tones, multiphonics, harmonics, and others. Includes three pages of performances suggestions by Jean-Marie Londeix.
In three movements: 1. Raga, 2. Tempo di Cake-walk, and 3. It is an advanced work in five movements: I. Aria Largo , III. Ostinato Allegro molto , IV. Intermezzo Allegro moderato , and V. Variazioni Deciso. Unlike the more recent piece above, this work does not use any extended techniques and has a range to altissimo F-sharp. Duration of about 9 minutes. A concert work of decidedly Latin flavor, Cornick's Three Latin Sketches has three-movements in which the up-tempo outer movements Allegro vigoroso with a Latin feel and Allegro embrace a sultry tango Moderato middle movement.
Dedicatee Mark Walton has provided YouTube performances of each movement 1 , 2 , and 3. S Concerto Op. Energetic, II. Meditative, and III. This is the original version of this piece which was commissioned, and premiered by Jean-Marie Londeix at the World Saxophone Congress of in London.
An advanced work with a duration of about 10 minutes. Here is a video of this version. This is the version with piano. In three movements: With vigor, With tranquility, and With gaiety. S Trigon Op. Dedicated to James Houlik. A college level work in three movements: I. Constant Driving Rhythm, II. Quiet and Calm, and III. Quite Fast. A printed manuscript with the music a bit on the small side. We found this video which has some balance issues. One of the most famous pieces in the saxophone repertoire. Many notes by the editor to aid in performance. Fridolin Dallinger is an Austrian composer, pianist, music educator and critic.
This is a an intermediate level work in three movements: I. Marsch, II. Langsamer Walzer, and III. Duration is about 4 minuets and the piano part is not difficult. The Aria is at a Moderato tempo. The piano is in an accompanying role. Total duration of about Marcel Dautremer was a French composer a student of Dukas and conductor. This is a brief 4 minute piece which begins Lent et paisible, speeds up a bit in the middle undoubtedly the interrupted reverie of the title and returns to the original tempo before the end.
Better high school level performers and up. The tango is at a Calme et nostalgique tempo and ends with a cadenza. It is immediately followed by the Tarentelle which has a slower section in the middle. An advanced work. This is an advanced contemporary piece featuring high altissimo, multiphonics, double-tonguing, flutter-tonguing and other techniques. It has a duration of This work was written for voice and piano around It is nearly all in the upper register to altissimo E. While it is not at all difficult, the video shows how effective it can be in the hands of a professional.
Here is a video performance by Eugene Rousseau. This beautiful piece, also known as The Girl with the Flaxen Hair, has been arranged for alto or baritone saxophone. This beautiful piece, also known as The Girl with the Flaxen Hair, has been arranged for soprano or tenor saxophone. Here is a performance on soprano which sounds like this arrangement. Debussy composed this piece in accordance with wishes of Elise Hall president of the Orchestral Club of Boston to whom the work is dedicated and completed it in January About 10 minutes in length. We can get the orchestral parts and score for this piece.
Contact us for details. Since the original version of this piece was not written for a saxophone virtuoso, Rousseau has turned this work into more of a showpiece by assigning solos written for other instruments to the saxophone. It can be used with the original orchestral parts, provided that the conductor designates the orchestral part be tacet when appropriate. This edition is similar in concept but not identical to the Rousseau edition above.
The saxophone part is larger and easier to read. We can get orchestral parts and the score for this piece. Henle, , SS. A new edition which includes a preface and comments. Two solo parts are supplied with the edition: one version which follows the instrumental instructions of the autograph, and another one in which the saxophone also adopts material from parts assigned to other instruments similar to the two editions above.
Two popular Debussy pieces arranged for clarinet or saxophone and piano. Two popular Debussy pieces transcribed for alto saxophone and piano. This appears to be a copy of a Leduc printing. Dedicate to Marcel Mule and written around In four movements: 1. Andante, 3. This is an excellent work for the college level and professional performer, perhaps not as well known as it should be. Duration of about The first movement of this piece was required for the semifinals of the North American Saxophone Alliance Classical Saxophone Competition.
Willem De Fesch was a Dutch virtuoso violinist and composer. Music about food, mostly deserts! Claude Delvincourt was a French composer who was director of the Paris Conservatoire from S Fantaisie Op. Jules Demersseman was a Dutch born composer and flutist who spent most of his life in Paris. Early college or advanced high school level with a duration of about 4 minutes.
Here is a version for soloist and concert band. It should be playable by an excellent high school band or a strong community band as well as college bands. Instrumentation is generally standard but calls for three trumpets no cornets , three horns, and a harp. There are enough copies of each individual part for most organizations. Includes a CD of a performance of this arrangement by Ted Hegvik with band. While this edition doesn't appear to be available any longer, we still have one copy.
This is a showpiece of the first order complete with a final variation to be played as fast as possible. A band accompaniment is available from the publishers as a rental. This piece by flute virtuoso and composer Demersseman was originally published by Adolphe Sax's publishing house in when it was used as a Paris Conservatory contest piece. Duration about 4 minutes. The first piece uses extended techniques quarter tones in particular and has no bar lines while the second piece is all about variations in the 16th note rhythm. Dedicated to Jean-Marie Londeix. The Siberian born composer Edison Denisov was one of the most innovative Russian composers of his generation.
Much of his woodwind music employs extended techniques as does the second movement of this sonata. This is an advanced work in three movements: I. Lento, and III. Allegro moderato. Dedicated to Marcel Mule and a contest piece at the National Conservatory. A wonderful composition from Desenclos who wrote very little music because he thought his music wasn't good enough.enter site
Fantasia on Lyun Joon Kim’s Elegy (version for alto sax and piano) | Richard Dudas
As Mule wrote, this piece proves the contrary. It opens with the Prelude which is dark and jazz influenced. The Cadence is built primarily on rapid arpeggios and is followed by a transitional piano section leading into the Finale which begins rapidly but alternates between sections similar to the beginning before accelerating again to the conclusion.
The piano part is very important and requires a skilled player. Paul Dessau was a German composer and conductor who lived in France in the mids when this piece was written in and then the United States returning to Germany after the war. Petite Ouverture Allegro non troppo. Serenade Allegretto mosso. Peer Music originally Southern Music Co. David Diamond was an American composer of classical music. This work dates from It is an advanced piece in three movements: I. Allegro vivo; II.
Andante molto, quasi adagio; and III. Allegro vivo. The primary challenges are mixed meter and even with the Ossias for some difficult passages altissimo to at least B-flat. Edward Diemente is an American composer who taught at the Hartt School of Music for many years. It has been printed from a manuscript. The piece has some contemporary notation but no extended technique. This piece was commissioned by Elise Hall who premiered it in The solo part is not difficult. James Di Pasquale is an American musician and composer who has written contemporary classical music and for television and film.
This is one of his better known compositions which has been recorded several times. Allegro con brio. Advanced college level with once instance of altissimo A and G. Click on the cover image to see the first page of the saxophone part. This is a jazz concerto in a classical format that will requite both jazz chops and classical skills from both performers.
Each perfomer has improvised solos from chord symbols in each of the three movements. Includes notes on the piece and improvisation strategy suggestions. Here is a link to an audio file of the first movement played on soprano sax on YouTube the other movements are there, too.
Click on the cover image to see the first page of the saxophone part some of the written out parts are more difficult than this page. Donald Draganski is from Chicago where he worked for many years as a university music librarian in addition to being a composer and a bassoonist. This little suite of polkas was written as a result of the composer attending countless Polish weddings as a kid. A very humorous collection of some very charming polkas.
Polka Galop Allegro moderato , II. Polka Schnell Lively. Early college level with a duration of 10 minutes. This is a Verbunk, the recruiting dance performed by men.
While the notes and rhythms are not difficult the rapid tempo necessary for an authentic performance makes this an advanced piece. Erwin Dressel was a German composer.
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This piece is in four movements: Elegie, Scherzo, Aria, and Gigue. Early college level work with a duration of about 12 minutes. This piece is dedicated to Sigurd Rascher. Canzone Lento , III. Courante Allegro , IV. Pavane Sostenuto , and V. Gigue Vivo e leggiero. A college level work with some high altissimo. The duration is about This piece was written in and is reported to have been dedicated to Sigurd Rascher.
Moderato e contabile, II. Intermezzo Alla marcia, con grazio , III. Adagio ma non troppo and IV. Allegro molto spirituoso. A college level work with a duration of about Sarabande Lento nostalgico , and III. Rondo Allegretto. The first movement includes a long and written out cadenza between the two sections. Advanced playing skills and endurance required. Aria Andante and II. Allegro vigoroso e marcato. The opening movement is in three parts slow, faster, slow and is polytonal in character.
The final movement features rapid ascending and descending figures. The notes on the CD describe it as "a play of colors in a relaxed atmosphere. About 9 minutes. Allegro vivo, II. Lent et doux, and III. Ten short dances. High school level but should be enjoyable to more advanced players as well. The Squirrels , a bright reel. Early college level depending on tempo. About 1 minute long. This is the first in a suite of five pieces with geographical connections.
This piece alternates between Pesante and Allegro molto vivo. Early college level with a duration about This piece is marked Andante simplice. Better high school saxophonists and up. College level with a duration of This piece starts out Prestissimo and speeds up twice until near the end where it returns to the original tempo. This is The Hare and the Tortoise and as the title suggests it has contrasting sections but appears to be mostly about the hare.
College level with a duration of minutes. Dedicated to Daniel Deffayet. Tempo di Gavotto, and IV. Rondo Giocoso. The first movement begins with a recitatif section with alternating slow and fast phrases before the Allegro vivo. College level with a duration of about 8 minutes.
In two sections, starting Andantino, un poco capriccio and then doubling the tempo in the middle check the piano score as this isn't marked on the saxophone part. It is in the concert key of A minor. The part for C instruments is included in this edition. The B-flat part can be downloaded from the publisher's website. Henri Eccles lived and worked in London and Paris. Largo, II. Courante, III. High school level but may be useful for more experienced students who want to study music of this period.
This piece is on many college audition lists. Bourne Co. He was a composer, conductor, arranger, and was particularly known for his music for band. This is a sectional work that opens with a brief Adagio followed by Allegro, Adagio, Doppio movimento, Adagio, Presto, Adagio, Andante con moto, and concludes with a saxophone cadenza. College level with a duration of about 13 minutes. The band parts are available as a rental from the publisher. Thierry Escaich is a French organist and pianist and composer.
He has written a number of works for saxophone. This is an extended 15 minutes and advanced work. While it does not include multiphonics or extended articulation techniques it does have very high altissimo to B. Here is a video of the version with strings a rental. Click on the cover image to view a sample page of the saxophone part.
Allegro molto, II. This is an early college level work but could possibly be played by an exceptional younger player. The range is to high F. The only advanced technique is some flutter tonguing at the very beginning. The piano reduction is about 6 minutes long while the orchestral version a string orchestra , which is a rental, is slightly longer. Here is a performance of the piano reduction. Here is the orchestral version. The concerto and recital repertoire for saxophone is centered around alto sax literature, making this 23 minute tenor concerto by Eric Ewazen a striking landmark.
Allegro energico, II. Andante appassionato con rubato, and III. Orchestral materials are available on rental. For advanced performers range to altissimo B with a duration of about 23 minutes. Click on the cover image to view an extended sample of the piano score. Eric Ewazen has only composed one solo work for alto sax, the Fantasia for alto saxophone and band.
Composed for saxophonist Randy Smith and the Truman State University Wind Ensemble, this edition of the Fantasia is published as a solo with piano reduction, with the band set available separately on rental. Duration of 11 minutes. Click on the cover image to view the final page of the saxophone part. Le gouffre, paysage by Huet Allegro con fuoco. College level but not especially difficult. Click here to view pages from the score. Billaudot, , SS, includes parts and piano score.
Marc Eychenne is a French composer who has written a number of works for saxophone. It starts at a slow tempo and increases in speed in the middle before returning to the original tempo. A challenging piece although the saxophone part looks the easiest of the three. This is a three movement work: I Allegro with many tempo changes , II.
Here is the first movement on YouTube. Johann Friedrich Fasch was a German violinist, composer and Kapellmeister. While much of his work has been lost he is considered an important link between the Baroque and Classical periods. He wrote more than works. This Sonata was written in and is dedicated to Eugene Rousseau. Allegro ritmico, II. Scherzo Allegro vivo , and IV. Allegro con fuoco This work uses extended techniques such as multiphonics, quarter tones, key noises, and slap tonguing without sounding a tone.
For advanced performers. This Sonata is in three movements: I. Scherzo Allegro assai , and III. This is a college level work with a range to altissimo G and a total duration of Here is an audio recording of the first movement with the other movements available as well. Originally for viola and piano. In three movements: Allegro moderato con moto, Largo Sostenuto, Allegretto con spirito. An advanced college level piece. An advanced work with some extended techniques for both the saxophonist and the pianist who are equal partners. There are numerous changes between alto and soprano.
Duration of about 10 minutes. Fiocco transcribed by Arthur Frackenpohl. Joseph-Hector Fiocco was a Flemish Belgian composer and violinist. Faithfully transcribed by Arthur Frackenpohl, the lyrical Aria and energetic Rondo are sterling examples of 18th century music at its very best. Ossia passages and detailed suggestions for executing authentic ornaments are provided.
Click on the cover image to view the Aria. Fiocco transcribed by Jean-Marie Londeix. This work is in four movements: I. This familiar tune by Stephen Foster has been arranged as a Theme and Variations. After the Andante theme the variations are I. Poco piu mosso, II. L'stesso tempo, III. Lento, maestoso and IV. The final variation includes a cadenza. Advanced high school level. This is a three part piece at a leisurely tempo which features long flowing lines and the opportunity for contrasts in tone color.
This piece is rated by the publisher as US grade 4 and has a duration of about The Swedish botanist Linnaeus suggested a clock based on a series of flowers according to the hour when each one blooms. This piece was inspired by this concept. While there is a significant variation in the difficulty of the movements, overall this is college level.
This piece was originally for oboe. List price is This piece was originally for violin and piano. It is rated as a 9 most difficult on the publisher's 9 point scale.
It is in four movements with a duration of 28 minutes. It is in keys to 6 sharps and 5 flats. The upper range extends to altissimo B. Here is a performance of the fourth movement with the 8va sections not taken up a octave. Click on the cover image to view the first page of the saxophone part for the fourth movement. A piece suitable for better high school level saxophonists for solo and ensemble festivals.
It has a cadenza prior to the Allegro section. Here is an audio file of this piece being played without the piano part. S Suite Op. Following considerable success in the s, he was appointed Director of the Conservatory in Mainz in where he served until he was forced to leave Germany in He emigrated to Britain in and settled in Edinburgh, where he remained active until his death.
Cantabile Largo , II. Furioso Allegro con fuoco , III. Con grazia Tempo di Menuetto lento , and IV. Burla Allegro vivace. This work was written around and also has versions for viola and with orchestra. College level with a duration of about 20 minutes. This page has some very nicely played audio samples from the beginning of each movement.
Johann Ernst Galliard — was a German composer and oboist. The work was originally for bassoon and continuo. Allemanda A tempo giusto , 3. Corrente Spiritoso , and 4. Tempo di Menuet Moderato. The tenor sax part is in the written key of C-sharp minor. Raymond Gallois-Montbrun was a French violinist and composer. He studied violin and composition at the Conservatoire de Paris, and won the Prix de Rome in These six pieces emphasize specific aspects of technique.
The actual title of this piece is Por una Cabesa although that isn't printed anywhere on this version. Carlos Gardel , who grew up in Argentina, was a singer, songwriter and actor, and is one of the most prominent figures in the history of tango. This piece was written in , refers to the Spanish horse-racing phrase meaning "by a head", which refers to a horse winning a race by the length of one head. The lyrics speak of a compulsive horse-track gambler who compares his addiction to horses with his attraction to women.
This edition begins with a molto rubato cadenza before getting into the melody which is Tempo di Habenera. Click on the cover image to view the first page of the clarinet part. S Solo de Concours Op. The printing is bit light with some phantom bar lines. Harald Genzmer was a German composer and music educator who studied with Hindemith. Two extended movements: 1. There is quite a bit of altissimo in this piece.
To altissimo B is written and with sections marked 8va. Thom Ritter George is an American composer and conductor who has written many works for wind instruments. The Introduction is Andante and the Dance is Allegro. This is from Gershwin's very popular Three Preludes for piano. This is the slowest of the three Andante con moto e poco rubato. While not technically difficult this arrangement is mostly in 5 flats and uses the full range of the saxophone and then some from low B-flat to altissimo B-flat with alternatives for the altissimo notes.
This publication has all three of the wonderful Gershwin preludes which may be performed individually or together. Allegro ben ritmato e deciso, 2. Andante con moto e poco rubato, and 3. Allegro ben ritmato e deciso. The keys of these preludes have been changed in this arrangement. Includes some optional flutter tonging and altissimo F-sharps. Click on the cover image to view the first page of the tenor sax part.
Born in Italy but choosing to live in France Ghidoni is a virtuoso saxophone player and composer. This is a sectional piece with some mixed meter and small amount of extended techniques. The highest note in full sized notation is an altissimo F-sharp but there are a few optional higher notes. The sections are: Adagio, Allegro, Lentamente, Vivace, and stringendo. A college level work with a duration of about 10 minutes.
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One of the most popular and frequently performed saxophone concertos. Written for, and premiered by Sigurd M. One extended movement with frequent key and tempo changes. We can get the orchestral parts all string and score for this piece. Kalmus, SS, 7 pages. The Kalmus Orchestra Library solo saxophone part for this piece which appears to have been reproduced from the Leduc edition.
Since its first performance in it has become part of the standard saxophone repertoire. This score contains the original version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer's cadenza which was later shortened. Evidence from this correspondence has been integrated into this edition.
This first scholarly-critical edition of a work by Glazunov contains an informative introduction on German and English with commentaries about the history of its composition, facsimiles and a critical commentary. She has won many prizes for her compositions. Desinvolte Avec humour , III. Dolcissimo molto dolce , IV. Final Prestissimo. A challenging upper level college work. It is a substantial three movement work: 1.
Allegro con fuoco, 2. Andante cantabile, and 3. Here is a recording of the third movement with piano. You may be able to find the other movements on YouTube. Incandescence is a landmark new composition for tenor saxophone and piano. Approximately 15 minutes in length, this new publication is the first and only tenor saxophone solo by Madame Gotkovsky. Although accompanied by piano, the piece opens with an extended cadenza and includes some extended techniques - altissimo and multiphonics three notes in the first movement.
The third movement is a brilliant tour de force, which demonstrates the technical capabilities of the tenor saxophone. This piece will be a welcome addition to the repertoire and provide a great sonority for recital programs. A recent, challenging work for this combination. Molto dolce legato sostenuto, II. Prestissimo, and III. Final Molto agitato con fuoco tumultuoso. The total duration is about 33 minutes.
This was the contest piece of the Paris Conservatoire in There are six pieces in a variety of styles. In two sections obviously.
The term "montuno" comes from Cuban dance music. The included CD has versions with clarinet and piano and with piano alone. Three relatively short related works at the college level. The included CD has versions with clarinet and piano and with piano alone played by the composer. Early college or advanced high school level.
Duration about 6 minutes. Dedicated to Dale Underwood. In several sections: Slowly, Rather bright, Slowly Freely, and an acceleration to the faster tempo. Includes an optional ending with a cadenza. College level although this is often performed by advanced high school students with some optional high altissimo. There is a a very nice performance of this on YouTube by a 16 year old saxophone player with concert band.
S Concerto in E minor Op. Jascha Gurewich was an American saxophonist who played with Sousa and composer. This is a showpiece work, typical of the era. In three movements. The first alternates between Maestoso and Andante sections, the second is Andante sostenuto, while the third is Presto. The saxophone part for this piece is the original, ending in an altissimo A. This grade 4 original is an ideal selection for contest or recital performances.
Its expressive and lyrical while the faster moving sections employ fluid legato and extended chord arpeggios. The brief cadenza allows soloists that extra dimension to their performances. Juliana Hall is an American composer and pianist. Based on sonnets by Rainer Maria Rilke this piece was first performed in May by dedicatee Carrie Koffman, with the composer at the piano.
This is a college level work with a duration of 18 minutes.
The five movements are 1. Dance Playful , 2. Orpheus Singing Dark and Quiet , 3. Rider Light and Quick , 4. Song Very Lyrical , and 5. Machine Machine-Like. This Particular Spring for violin and piano. Trio for violin, horn in F and piano. Triptych for 6 violas. On September 3, , a police patrol intercepted a convertible Ford Mustang that was zigzagging out of control. Richard Lane had just left Cape Cod, where he spent his summers composing, and suffered a stroke while driving back to his home in Paterson, New Jersey. He was urgently taken to Newark University Hospital, but nine days later, he passed away, leaving behind a rich legacy of over unpublished works.
With the first opportunity, he flew to Paterson to take possession of the manuscripts. The manuscripts lay in chaos all over the place but were now finally saved from most probable destruction. It was then that Dimitrakoulakos vowed to create a detailed works catalogue, discovering more than works of various difficulty levels and instrumentations, including the piano sonatas, true masterpieces that showcase all the talent and originality of Richard Lane.
From to his parents offered him private lessons with renowned pianist Isadore Freeman, who was an active chamber musician with members of the New York Philharmonic. At eighteen, Lane received a full scholarship piano and composition to attend the Eastman School of Music in Rochester NY , where he completed his academic studies in , graduating with a masters in music. During this time, he composed many works for his friends, peers and professionals. When the Ford Foundation launched its Young Composers Project in , Lane was one of the 12 young artists selected to breathe new life into the public school music system in different US states with new musical works.
At the age of 28, Richard Lane returned permanently to his hometown of Paterson NJ, where he earned his living giving private music lessons and performing as a pianist. Lane composed tirelessly and dedicated his works to his young and older students, to famous performers, chamber ensembles, choirs, wind bands and orchestras.
His catalogue of works grew, although he showed no interest in publishing them. Moderato I. Largo II. Allegro Vivace III. Allegro Vivace. Serenade Serenade. Summer Song Summer Song. Polichinelle I. Nocturne II. Berceuse III. Waltz IV. Epilogue V. Allegro non troppo I. Allegro non troppo. Andante II.
Allegro vivace III. Allegro vivace. Allegro molto I. Allegro molto. Lento II. Presto III. Adagio ma non troppo I. Adagio ma non troppo. Andante religioso II. Andante religioso. Allegro molto III. Adagio molto espressivo II. Adagio molto espressivo. Allegro e vivace III. Allegro e vivace.
Adagio II. A Study in Summer I. A Study in Summer.
A Song of the Hill II. A Song of the Hill. Interlude III. Evening Blues IV. Evening Blues. Finale V. Souvenir Souvenir. Song for Rachel Song for Rachel. Song Song. Allegro I. Molto allegro III. Molto allegro. Uno Duo II. Uno Duo. Papa Razzi III. Papa Razzi. Boozy Floozy Blues IV. Boozy Floozy Blues. Nicht Nacht V. Nicht Nacht. Space Race VI. Space Race. Nocturne Nocturne. Nocturne with piano Nocturne with piano. Nocturne with strings Nocturne with strings. Caprice Caprice. Aria Aria. Allegro semplice II. Allegro semplice. Allegretto III. Allegro deciso IV.
Allegro deciso. The Clown The Clown. Pedal Pedal. Richard Lane. Works Biography Listen. Richard Lane On September 3, , a police patrol intercepted a convertible Ford Mustang that was zigzagging out of control. The ambitious project of publishing all these unknown musical treasures was born.